25 BỘ ĐỀ THI THỬ THPT QUỐC GIA - MÔN TIẾNG ANH (ĐỀ SỐ 16)

Mark the letter A, B, C or D on your answer sheet to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions.

After many months of grueling work and painful injuries to her shoulder and back, Susan realized that her dream of swimming the English Channel was unattainable.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

He does morning exercises regularly _________ improve his health

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

Despite the fact that _________, we enjoyed our trip.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

The furniture was _________.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

He asked me who____________ the editor of that book. 

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

They have plenty of time, so they needn’t _________ .

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

Please go on _________. I can wait.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

According _________ Bill, there's something wrong _________ my computer.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

More than a billion people all over the world are under the threat of desert _________.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

BuckinghamPalace is a major tourist _________ in London.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

I must have a bath. I _________ all the afternoon

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

_________ laws and regulations which impose restrictions on any rights should be revised to comply with international law.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

During the time of economic reforms, the economy has grow _________ with only a few major setbacks.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

In the future many large corporations will be wiped out and millions of jobs will be lost.

Mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following questions.

Can you make a ________ estimate of how much our expedition in the desert may be?

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks from 25 to 29. Fill in the appropriate word in question 25

Working as a novelist is not really a career like being a doctor or a scientist. Although a fewwell-known ones, like Harry Potter author J. K. Rowling, have become wealthy, most writers find it difficult even to make a living from their book sales. Novels take a long time towrite, and authors can get into financial (25) _____ if they don’t have money coming in regularly from another job. But for those determined to write novels, it is without (26)______ one of the most enjoyable kinds of work to do. The writer has to be creative, thinking up completely new stories, and (27) _____, meaning they put all their time and effort into their work. They also need to be able to cope in a crisis, as nobody else can write their book for them. For this, a good sense of (28)______ often helps. Or the thought that maybe their novel might one day be turned into a film and become a Hollywood (29) _____!

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks from 25 to 29. Fill in the appropriate word in question 26

  Working as a novelist is not really a career like being a doctor or a scientist. Although a fewwell-known ones, like Harry Potter author J. K. Rowling, have become wealthy, most writers find it difficult even to make a living from their book sales. Novels take a long time towrite, and authors can get into financial (25) _____ if they don’t have money coming in regularly from another job. But for those determined to write novels, it is without (26)______ one of the most enjoyable kinds of work to do. The writer has to be creative, thinking up completely new stories, and (27) _____, meaning they put all their time and effort into their work. They also need to be able to cope in a crisis, as nobody else can write their book for them. For this, a good sense of (28)______ often helps. Or the thought that maybe their novel might one day be turned into a film and become a Hollywood (29) _____!

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks from 25 to 29. Fill in the appropriate word in question 27

  Working as a novelist is not really a career like being a doctor or a scientist. Although a fewwell-known ones, like Harry Potter author J. K. Rowling, have become wealthy, most writers find it difficult even to make a living from their book sales. Novels take a long time towrite, and authors can get into financial (25) _____ if they don’t have money coming in regularly from another job. But for those determined to write novels, it is without (26)______ one of the most enjoyable kinds of work to do. The writer has to be creative, thinking up completely new stories, and (27) _____, meaning they put all their time and effort into their work. They also need to be able to cope in a crisis, as nobody else can write their book for them. For this, a good sense of (28)______ often helps. Or the thought that maybe their novel might one day be turned into a film and become a Hollywood (29) _____!

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks from 25 to 29. Fill in the appropriate word in question 28

  Working as a novelist is not really a career like being a doctor or a scientist. Although a fewwell-known ones, like Harry Potter author J. K. Rowling, have become wealthy, most writers find it difficult even to make a living from their book sales. Novels take a long time towrite, and authors can get into financial (25) _____ if they don’t have money coming in regularly from another job. But for those determined to write novels, it is without (26)______ one of the most enjoyable kinds of work to do. The writer has to be creative, thinking up completely new stories, and (27) _____, meaning they put all their time and effort into their work. They also need to be able to cope in a crisis, as nobody else can write their book for them. For this, a good sense of (28)______ often helps. Or the thought that maybe their novel might one day be turned into a film and become a Hollywood (29) _____!

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks from 25 to 29. Fill in the appropriate word in question 29

          Working as a novelist is not really a career like being a doctor or a scientist. Although a fewwell-known ones, like Harry Potter author J. K. Rowling, have become wealthy, most writers find it difficult even to make a living from their book sales. Novels take a long time towrite, and authors can get into financial (25) _____ if they don’t have money coming in regularly from another job. But for those determined to write novels, it is without (26)______ one of the most enjoyable kinds of work to do. The writer has to be creative, thinking up completely new stories, and (27) _____, meaning they put all their time and effort into their work. They also need to be able to cope in a crisis, as nobody else can write their book for them. For this, a good sense of (28)______ often helps. Or the thought that maybe their novel might one day be turned into a film and become a Hollywood (29) _____!

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks from 25 to 29. Fill in the appropriate word in question 29

          Working as a novelist is not really a career like being a doctor or a scientist. Although a fewwell-known ones, like Harry Potter author J. K. Rowling, have become wealthy, most writers find it difficult even to make a living from their book sales. Novels take a long time towrite, and authors can get into financial (25) _____ if they don’t have money coming in regularly from another job. But for those determined to write novels, it is without (26)______ one of the most enjoyable kinds of work to do. The writer has to be creative, thinking up completely new stories, and (27) _____, meaning they put all their time and effort into their work. They also need to be able to cope in a crisis, as nobody else can write their book for them. For this, a good sense of (28)______ often helps. Or the thought that maybe their novel might one day be turned into a film and become a Hollywood (29) _____!

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

It may be inferred from the passage that the first musical cue sheets appeared around _________.

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

The word “them” refers to _________.

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

Which of the following notations is most likely to have been included on a musical cue sheet of the early 1900's?

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

According to the passage, what kind of business was the Edison Company?

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

The passage mainly discusses music that was _________.

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

The word “composed” is closest in meaning to _________.

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

The word “scores” most likely mean _________.

Read the following passage and mark the letter A, B, C or B on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

  Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.

  As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.

  To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.

  Certain films had music especially composed for them. The most famous of these early specialscores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.

It can be inferred that orchestra conductors who worked in movie theaters needed to _________.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 38 to 42.

  The biological community changes again as one moves from the city to the suburbs. Around all cities is a biome called the "suburban forest". The trees of this forest are species that are favored by man, and most of them have been deliberately planted. Mammals such as rabbits, skunks, and opossums have moved in from the surrounding countryside. Raccoons have become experts at opening garbage cans, and in some places even deer wander suburban thoroughfares. Several species of squirrel get along nicely in suburbia, but usually only one species is predominant in any given suburb - fox squirrels in one place, red squirrels in another, gray squirrels in a third - for reasons that are little understood. The diversity of birds in the suburbs is great, and in the South, lizards thrive in gardens and even houses. Of course, insects are always present. There is an odd biological sameness in these suburban communities. True, the palms of Los Angeles are missing from the suburbs of Boston, and there are species of insects in Miami not found in Seattle. But over wide stretches of the United States, ecological conditions in suburban biomes vary much less than do those of natural biome. And unlike the natural biomes, the urban and suburban communities exist in spite of, not because of, the climate.

The author implies that the mammals of the "suburban forest" differ from most species of trees there in which of the following ways?

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 38 to 42.

  The biological community changes again as one moves from the city to the suburbs. Around all cities is a biome called the "suburban forest". The trees of this forest are species that are favored by man, and most of them have been deliberately planted. Mammals such as rabbits, skunks, and opossums have moved in from the surrounding countryside. Raccoons have become experts at opening garbage cans, and in some places even deer wander suburban thoroughfares. Several species of squirrel get along nicely in suburbia, but usually only one species is predominant in any given suburb - fox squirrels in one place, red squirrels in another, gray squirrels in a third - for reasons that are little understood. The diversity of birds in the suburbs is great, and in the South, lizards thrive in gardens and even houses. Of course, insects are always present. There is an odd biological sameness in these suburban communities. True, the palms of Los Angeles are missing from the suburbs of Boston, and there are species of insects in Miami not found in Seattle. But over wide stretches of the United States, ecological conditions in suburban biomes vary much less than do those of natural biome. And unlike the natural biomes, the urban and suburban communities exist in spite of, not because of, the climate.

The word “thoroughfares” is closet in meaning to

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 38 to 42.

  The biological community changes again as one moves from the city to the suburbs. Around all cities is a biome called the "suburban forest". The trees of this forest are species that are favored by man, and most of them have been deliberately planted. Mammals such as rabbits, skunks, and opossums have moved in from the surrounding countryside. Raccoons have become experts at opening garbage cans, and in some places even deer wander suburban thoroughfares. Several species of squirrel get along nicely in suburbia, but usually only one species is predominant in any given suburb - fox squirrels in one place, red squirrels in another, gray squirrels in a third - for reasons that are little understood. The diversity of birds in the suburbs is great, and in the South, lizards thrive in gardens and even houses. Of course, insects are always present. There is an odd biological sameness in these suburban communities. True, the palms of Los Angeles are missing from the suburbs of Boston, and there are species of insects in Miami not found in Seattle. But over wide stretches of the United States, ecological conditions in suburban biomes vary much less than do those of natural biome. And unlike the natural biomes, the urban and suburban communities exist in spite of, not because of, the climate.

Which of the following conclusions about squirrels is supported by information in the passage?

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 38 to 42.

  The biological community changes again as one moves from the city to the suburbs. Around all cities is a biome called the "suburban forest". The trees of this forest are species that are favored by man, and most of them have been deliberately planted. Mammals such as rabbits, skunks, and opossums have moved in from the surrounding countryside. Raccoons have become experts at opening garbage cans, and in some places even deer wander suburban thoroughfares. Several species of squirrel get along nicely in suburbia, but usually only one species is predominant in any given suburb - fox squirrels in one place, red squirrels in another, gray squirrels in a third - for reasons that are little understood. The diversity of birds in the suburbs is great, and in the South, lizards thrive in gardens and even houses. Of course, insects are always present. There is an odd biological sameness in these suburban communities. True, the palms of Los Angeles are missing from the suburbs of Boston, and there are species of insects in Miami not found in Seattle. But over wide stretches of the United States, ecological conditions in suburban biomes vary much less than do those of natural biome. And unlike the natural biomes, the urban and suburban communities exist in spite of, not because of, the climate.

The word "thrive" is closest in meaning to

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 38 to 42.

  The biological community changes again as one moves from the city to the suburbs. Around all cities is a biome called the "suburban forest". The trees of this forest are species that are favored by man, and most of them have been deliberately planted. Mammals such as rabbits, skunks, and opossums have moved in from the surrounding countryside. Raccoons have become experts at opening garbage cans, and in some places even deer wander suburban thoroughfares. Several species of squirrel get along nicely in suburbia, but usually only one species is predominant in any given suburb - fox squirrels in one place, red squirrels in another, gray squirrels in a third - for reasons that are little understood. The diversity of birds in the suburbs is great, and in the South, lizards thrive in gardens and even houses. Of course, insects are always present. There is an odd biological sameness in these suburban communities. True, the palms of Los Angeles are missing from the suburbs of Boston, and there are species of insects in Miami not found in Seattle. But over wide stretches of the United States, ecological conditions in suburban biomes vary much less than do those of natural biome. And unlike the natural biomes, the urban and suburban communities exist in spite of, not because of, the climate.

The word "odd" is closest in meaning to

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions.

They believe a single gunman carried out the attack.

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that is

closest in meaning to each of the following questions.

The music was so loud that we had to shout to each other.

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions.

" It can't be Mike who leaked the document, it might be Tom" said our manager.

Mark the letter A, B, C or B on your answer sheet to indicate the underlined part that needs correction in each of the following questions.

(A) That’s my aunt (B) over there. She (C) stands near (D) the window.

Mark the letter A, B, C or B on your answer sheet to indicate the underlined part that needs correction in each of the following questions.

He (A) asked me (B) what I (C) intended to do after I (D) graduate.

Mark the letter A, B, C or B on your answer sheet to indicate the underlined part that needs correction in each of the following questions.

Our students are (A) obedience and (B) hard-working, (C) but they are mischievous (D) sometimes

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions.

We should quickly find the solution to the problem. Otherwise, its impact on those concerned will increase

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions.

A waitress served us. She was very impolite and impatient.